21 Aug 2017

Supersonic takes offMDIS in the News

Supersonic is the resident band at Timbre+, where for almost 11/2 years, it has charmed audiences with energetic covers of Top 40’s hits, rock favourites and evergreen classics.

While some of the most requested songs in the band’s repertoire include Despacito by Luis Fonsi, Shape Of You by Ed Sheeran and Sweet Child Of Mine by Guns N’ Roses, the band also plays covers of Cantopop songs by artists such as Beyond and Teresa Teng.

The band is made up of Khairul Afwan, 35 (male lead vocals), Cassandra Jean Spykerman, 27 (female lead vocals), Fathullah Ayob, 36 (lead guitar), Mohamed Shah, 42 (keyboard), Mohamed Faizal, 42 (bass) and Mohamed Rafi, 38 (drums). 

With a growing following, the band is now aspiring towards the heights reached by popular home-grown musicians The Sam Willows, Gentle Bones and Shigga Shay.

Supersonic’s story is that of a band that thrives on a love for music, loyalty to one another and the need to delight the audience.

Afwan said: “We have been doing what we do simply because we enjoy music and we want to pass the love of the music to our audiences as well.

“Good music can be enjoyed by everyone. That’s why we perform Cantopop, and even Thai and Tagalog songs, because there are no boundaries to music.”

IN spoke to three members of the band.

GRADE A VOICE
Khairul Afwan did not do well in secondary school. He recalls not particularly being engaged by the subjects he took.

The fact that he was already the family’s breadwinner at the age of 15 did not help his grades either. “To make ends meet, I had to work odd jobs. When I was in secondary school, I had already worked as a sales assistant in Metro department store and a bartender at a pub. I even worked as a workman to erect tentages alongside workers from Bangladesh,” he said.

“When I failed my O-levels, some of my teachers said that I had no hope.”

Afwan entered the Institute of Technical Education (ITE), where he discovered his passion for the arts through the ITE Arts Talent Development programme. There, he honed his theatre and stage skills in the Centre for the Music and the Arts in ITE Dover, which aims to promote artistic talents among students from different ITE campuses. All the while, he was still working part-time to help with the family finances.

After graduating from ITE, Afwan performed in music and acting gigs to support himself. Coincidentally, the theatre company that he freelanced with was booked by his alma mater, Boon Lay Secondary School, for an assembly programme in 2014, some 15 years after he left the school. Imagine the surprise felt by some of Afwan’s former teachers when he showed up to give a drama education talk to his secondary school juniors.

FROM KAMBING TO KEYBOARDS
Mohamed Shah, who barely passed his N-levels, was eager to leave his books behind as an 18-year-old.

After serving his national service, he helped out his parents at their nasi briyani stall in the former Tanjong Pagar KTM train station in 2000.

“I enjoyed helping out my family’s business and was doing that for a very long time. In fact, I think I could have sold nasi briyani forever if I did not become a musician,” said Shah.

His change in career plans was thrust upon him by his brother, Singapore footballer Rafi Ali, who was part of the team which won the Malaysia Cup in 1994.

Other than coaching football, Rafi was also the leader of local band The Vibes and a talented drummer.

“One day, my brother suddenly gave me a keyboard and asked me to play for his band. I did not even know a single thing about playing it, but he asked me to learn by watching how others played,” said Shah.

After struggling for a few months to follow the fingerings of other keyboardists and learning informally from a friend, he was confident enough to play in his brother’s band.

Over time, Shah continued to hone his musical techniques by learning from mentors, attributing his skills to experienced musicians such as Ramli Sarip, local Malay rock scene pioneer.

“Until today, I do not know how to read the dao gei (a Hokkien reference to music score notations that look like bean sprouts),” he said.

PLUCKED FROM THE AUDIENCE
Even with an advanced diploma in mass communications from the Management Development Institute of Singapore (MDIS), Cassandra Jean Spykerman had always been drawn to acting.

It all started with a non-paying gig at The Arts House in 2009 with a role as a Hispanic-American girl in the play Proscenium. She enjoyed it so much that she went for more auditions and, subsequently, took on irregular acting jobs for a living.

In 2013, Spykerman’s family experienced cashflow problems and she had to take a full-time job as a customer service officer at a mall to help her parents out. After a year, she left that stable job and went back to freelancing.

One night, in 2015, Spykerman was enjoying a night out with her cousin and best friend when they decided to pull a prank on her by shouting out to the members of Supersonic that it was her birthday when it was not.

The band then invited her on stage to sing and was dazzled by her voice and showmanship.

Mr Afwan knew there and then that she was “the one”.

“After we met that day, I went overseas for a holiday and Afwan kept texting me non-stop. He couldn’t even wait until I came back to Singapore,” said Spykerman.

“For years, my parents did not fully approve of my career in acting and singing, which they deem as unstable, until they saw my performance with Supersonic at Timbre+,” she said.

“It was then that they realised that the audience loved our performance and that we were doing something significant there.”

 

Source: The Straits Times, 21 August 2017 © Singapore Press Holdings Limited. Permission required for reproduction. Click here to view PDF.

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